Hickman uses skin membrane, (hog casings), to create much of her work. When she brought the old tools back to her studio, she molded the skin membrane over them and then removed them to create Remembrance. For Hickman; “the membrane with rust marks reflected the soul or spirit of the place, of the hand that had used the tools on the farm.” Her installation of the ‘tools’ will be in a swirling circular shape, like a whirlwind or dust devil that blows across the prairie. All of the works in this exhibition are a reaction of Hickman’s experience with the prairie. Similar to Remembrance is the work Mother Overall. It translates an ordinary object, in this case an apron of the type that Hickman’s mother or other women of her generation would have worn into an imposing silhouette. She has added a saw blade out of skin membrane as the apron ties to symbolize the toughness of the hard scrabble life in the West.
In another work, a recent sculpture, Winnow, refers to the winnowing of chaff, the sifting of one thing from another. Hickman states; “It’s not just about the land of wheat, or rural America. The chaotic motion implied, the change of direction, the unknowing seems to be the way the wind is blowing now”. This is a deeply felt exhibition, that uses innovative materials to express feelings and ideas about the past, the present and perhaps the future.